Tagged: Painting

The Star Hound Bar

Mortimer thought the bar looked like a black reflection-pool. Everything shimmered. Walls seemed to drip like burning sulfur. Faces floated around him like mephitic sea creatures. The girl seated next to him was a mermaid consumed in slow flames. Her name was Kimberly. She was a hooker. Mortimer had known her for several months. They never went to bed together. Mortimer wanted her too much to risk rejection; besides, he had no money to bargain with. They became friends who occasionally met at The Star Hound for a drink.

Kimberly was small and loud; she commanded respect. She had red hair that snapped with static electricity and green eyes that sank holes into a man’s brain. Her body was beautifully rendered like a painting by Caravaggio. She wore orange satin shorts and a lace halter.

“A person has a responsibility to experience all that life has to offer,” she said with brassy authority.

Mortimer responded, “you’re right, only some things are more important than others. All I’m saying is that a person’s got to make choices. No one-person can possibly experience everything.”

“A person doesn’t have to say no to anything that comes along,” she said, “in the end your experience is all that counts.”

“What about the results of your experience, the products and consequences of experience — that’s something isn’t it?”

“I don’t know. Nothing lasts forever. I like to live in the present.”

“Kimberly,” Mortimer sighed like a love sick child, “you’re beautiful.”

“Yeah, I know; and the world is a garden of eternal joy.” Her face twitched. “Oh fuck. Philosophy is bullshit. I suck cock for a living — that’s what really counts.”

The bar seemed to tremble as Mortimer sipped amber fluid from a glass that was surgically attached to his right hand. A warthog in a charcoal-gray suit walked up to the bar to order a drink. For a moment Mortimer saw Kimberly as she really looked: a sagging middle-aged prostitute trying to appear young with dyed hair and thick makeup. Dark mascara dripped like smudged blue-wax around red eyes. Her body puffed over the edges of satin and lace.

Suddenly she clasped his hand and drew it to her flaccid breasts. “I am the Dark Lady,” she whispered.

Mortimer gasped. The bar gleamed like melted silver. The naked bartender smiled with lizard teeth. Mortimer understood. He was inside the painting, the one he was currently working on. He was stuck beneath splotches of magenta and ocher, beneath a torn label from a Heineken Beer. He could feel Kimberly vibrate beneath his hand like something mechanical. Her skin had turned green and cold. She smiled as she spoke, “there is something behind all this, something absolute and permanent. There is something at the heart of chaos. Cluck… Cluck… Cluck!”

Mortimer withdrew his hand as if he’d touched molten lead. Kimberly collapsed to the floor. She shattered like thin crystal. Pieces struck Mortimer like razor blades, embedding themselves into his skin. The bartender bared his pointy teeth.

Mortimer pushed himself through the mob of drunken predators. They stank of swamp and their skins were bejeweled with fungus. He crashed into the barroom door. It was difficult pushing through the opening. He was met with a wall of resistance. He soon realized the barrier he faced was the painting, a barricade of jet-black oil paint —  and it was impenetrable.

Star Hound

 

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Mortimer Field

Mortimer Field was an artist with peculiar talents. I befriended Mortimer while working at The Institute for the Mentally Deranged (this was during the 1970’s when “deranged” was considered an accurate diagnosis). Mortimer was a patient. Two years after I met him, he disappeared. Soon after, I began to collect the stories he told me (I kept meticulous notes) along with his artwork and journals. His work has often been described as disturbing. I offer this collection of notes and stories to my esteemed reader for you to judge for yourself.

Chapter One

This story is about the day Mortimer Field saw a woman crossing the street. Mortimer said there was  something annoying about the woman as if she possessed some insidious secret. She was heavy set. Her form seemed to be pulled forward by the ponderous swell of her stomach. Her face was like puckered dough. Her lips were like the flame of an acetylene torch and she wore large, gold frame sunglasses. She appeared to be in her late fifties. Her hair was like burnt roots sticking out from the edge of a pink bathing cap. She wore a fur coat that looked like automobile upholstery. A red-and-black muumuu radiated beneath the fur coat like an electric bulb.

She plowed across the street in a trance. Her brown hose slipped down over her heavy thighs. Mortimer became more and more agitated as he related his story. His voice squeaked with perturbation, “she looked at me,” he said, “suddenly she looked without pausing and without losing her heavy stride.” Mortimer wanted to scream. The woman was too familiar. He could see her eyes swimming behind the dark lenses in her glasses. They looked like eggs broken on a plate.

As he related the story he began to sweat profusely. He said seeing the woman made his skin tighten and his head ache as if his bony skull was about to break through the thin layer of flesh. He recognized the woman. He knew her. She was in the painting he’d just completed before leaving his studio for the street. She was the woman he imagined — she was solely his creation!