There was a total eclipse of the sun … at the moment when the moon devoured the light sepulchral events were triggered. It became more difficult to rationalize one’s life, and easier to accept death.
The tall-man stood on a bridge that spanned a crack in the earth. He smiled. The bones in his throat rattled like the engine in a broken-down car. He was a ruler: King in the Land of the Dying Sun.
Arthur Rambluster was having a grim day. His best friend, Veronica Delfacto, was dying. She developed Septicemia, a blood infection with no known cause. Arthur did not want to think about Veronica so instead he thought about his name. He never liked the solemnity of his given name — he preferred to be called by his nickname, Artie. His mind kept shifting back to Veronica. Artie was feeling guilty because he didn’t want to visit his dying friend. He had his own problems to consider.
First off, he thought he was prematurely dead. He’d been trying to concoct a more powerful cleaning-formula to attack the dirt he saw everywhere in his one bedroom condo. People often called Artie a “clean freak.” It all began when he was a child as a way of coping with stress. Symptoms continued to get worse as he grew older. Without thinking Arthur mixed several products that combined to produce chlorine gas. The smell was like a blast from an acetylene torch. He thought his eyes were dissolving in acid. He ran screaming from the house. The cool air revived him — he no longer felt dead. This was a reprieve so he decided he’d better visit his dying friend.
Arthur was upset by mendacity, lies everywhere. Everything was fake. There was no escaping the news. Computer screens never shut down. Arthur grappled with chaos. He wanted the world to be as clean and white as porcelain. Everyday he had to face disasters: hurricanes, wars, and massacres.
Veronica Delfacto lived in an old house that was left to her by an unconventional aunt, Mademoiselle Felicity. At one time the house was a ravishing, rainbow-hued beauty. Now the house reeked of remorse for better days and lost lives… it had fallen into itself like the carcass of a butchered cow. Veronica was an artist. Although she was mediocre at best, she was intent on acting as if she was a genius who created masterpieces. The drama, the fiction, excited her to no end. She pretended to devote every living moment to her art. Nothing else mattered. Housecleaning was the least of her interests. Repairing the roof or rebuilding the ramshackle porch did not concern her in the least. She owned two cats for company, Ezma and Cora. The cats took care of the house.
Artie always felt tortured when entering Veronica’s house … but she was dying and time was running out. The stench repulsed him. The moth eaten drapes covered with cob webs nauseated him. Veronica’s paintings reminded him of moldy food covered with worms. How, he wondered time and again, did he ever befriend this mad woman.
They met at the Homeopathic display-rack in Pieta’s Health Emporium. They were both interested in staving off death for as long as possible … both seeking better outcomes than what life already provided. Both were hypochondriacs.
The Land of the Dying Sun comes closer everyday. During the total eclipse, the Dying Sun slipped its’ moorings and began to drift … drawn like a magnet … across the bulkheads of Time and Space.
Arthur sat with Veronica, holding her hand. “I’m dying,” she spoke through a haze of green smoke. Her voice was weak, but filled with drama. The old drugs, prescribed by doctors, never worked. Veronica preferred the promises offered by marijuana and psychedelics. In her mind she was painting a masterpiece. It was called, The Last Gasp. Veronica vaguely registered Arthur who frantically held her hand as if he were clinging to his very own life.
Artie was upset and still feeling guilty. He couldn’t take it anymore. He had to leave. There was so much to do … so much cleaning that had to be completed. If he could put things back in order, sanitized and dirt-free, he would feel better. He had to clean himself as well, especially after visiting the hell hole where his friend was dying. He had to attain purity.
Weeks passed. Artie no longer heard from Veronica, perhaps, she passed away. It didn’t matter anymore. Things were getting cleaner. Arthur tracked every speck of dust and mopped it away.
Once, his parents sent him to a therapist to get to the bottom of his obsessions. Dr. Mortis Hem was a tall man, a gaunt man. He had pictures of the End Times on his office walls. Artie was withdrawn; but Dr. Hem cracked his shell and sucked him out like a boiled lobster.
When Arthur was four he was traumatized by the sight of a black rat rummaging through the garbage that spilled on the kitchen floor. The trauma was burned in his subconscious and became the root of his obsessive behavior. The doctor told Artie he could never avoid rats. He said Artie could never avoid dirt. The natural world was dirty and filled with rats. Arthur was traumatized even more. He felt threatened. He felt cursed.
Veronica never called again. Artie dreamt his friend was laid out on a large table. She was the banquet. Rats consumed her body. Artie woke up screaming.
Synchronicity played a horrible trick. Perhaps it was the shifting of light that caused the ensuing events. When Arthur woke from his nightmare he went into his spotless bathroom. A rat sat on top of the toilet tank. Fear froze both rat and man like a wall of impenetrable ice. As unexpected as a snapping icicle piercing flesh, Arthur was shocked back to his senses. He ran from the bathroom, slamming the door behind him.
He could not reconcile reality. It couldn’t be happening.
The exterminator was quick and efficient. Arthur no longer had to worry. He was pest free.
The months that followed were like fleeting images in a dream. The Dying Sun sucked color from the world. Everything turned gray and dirty.
Arthur began to change. At first everything seemed better. He felt more relaxed. He had more energy. His appetite improved. He enjoyed taking long walks. Objects seemed to glow as if he was seeing the world through infrared lenses. He no longer sensed the Dying Sun.
Soon Arthur noticed something peculiar. He became enthralled with the night. He craved small, dark places where he could hide. He stopped cleaning his home. He reveled in the dust. He enjoyed garbage.
He no longer recognized himself. His eyes were small, beady coals of incendiary red.
“This is my bed of lies,” Miranda Monologue wrote while reclining on her memory-foam mattress. She was recording recent events: celebrity news, politics and gossip. It was a depressing occupation. Although she tried to lighten her task with subtle humor there was no way to soften the effects of “breaking news.” Screens (computers and TV’s) never lied… only the clandestine power-brokers behind the screens told lies. Miranda had to sift for the truth, but to survive as a mid-level journalist she had to create lies of her own. Her room was a pod constructed from computer-glass that linked all her devices and screens. She was bombarded by layers of images and information-archives. Miranda was contemplating her next text message when her I-pad barked, “you in the wrong place, bitch!”
“Not again,” she thought as she slipped back into the storm.
Timothy Hardwick was thin, but years at sea hardened him into an iron-spike of a man who could tackle any seafaring job. He was a merchant marine aboard the USS Porpoise. He was part of the crew in 1838 when the expedition confirmed the existence of Antarctica. Currently the ship and crew were circumnavigating the globe. The Porpoise was an old sailing ship that was recently refurbished, but the storm tore into the hull like a raging demon. Timothy braced himself with several gulps from the flask he always carried. The liquid burned like a blue flame. He picked up the habit when he was 14 on his personal maiden voyage. Now, he needed the blue flame more than ever as the ocean became an impenetrable wall of fury.
The screens showed documentaries about the past along with visions of the future. Sometimes history became confused, unhinged. Virtual Reality facilitated the multi-sensory experience of events and interpersonal relationships. Promotions and ads were the common thread that stitched the Virtual Worlds together into a seamless spectacle.
Miranda Monologue was back in her perch above High Castle. She was screwing a platinum-blond octogenarian known as the Stone Man. He giggled with rapture as he plunged his bloated libido into her pink pussy avatar. She was seeking leaked information as she wrapped her cybernetic legs around Stone’s overblown ego. “Roger, Roger,” his I-phone bleeped. It was an emergency message in code directed at Stone’s avatar. The thrill of high stakes espionage coupled with Miranda Monologue’s sexual virtuosity triggered a mental orgasm and Stone verbally exploded, “HARP!” The truth vomited from Stone’s mouth about a shadow government and experiments to control both the weather and people’s brains, HARP. Stone cut the virtual connection. Miranda slide helplessly back into the beckoning sea.
“Ru Paul’s Drag Race” and “The Bachelor” were playing on screens above the bar. Another screen showed a commercial about “Manna,” an artificial food substance manufactured by Heaven, Inc. One ad followed another: face creams, fat removal, Mega-Max Cars and McMansions. The biggest screen showed a large, blustery man at a podium who yelled, “family is off limits.”
“Too much attention is given to that guy,” Axel Ramirez spoke to his fifth whiskey-sour who he named, Harvey. His words ran together in a mumbled slurry.
“I couldn’t agree more,” the whiskey-sour replied. Axel felt a strong sense of empathy emanating from his drink. It was an antidote to the gloom that pervaded the bar as it slowly sank into the flood. It was only the beginning. Irma was in the wings along with her whole family of weather related disasters.
Timothy Hardwick slammed against the sea wall and shattered. It wasn’t the end… he came together in pieces like droplets of water drying in the sun. He was frozen on a shelf of ice. The ship and crew were intact, back in Antarctica where their odyssey began. They found something on that first expedition and what they discovered brought them back. A black hole in the ice revealed a dead city, a lost civilization.
Miranda Monologue wrote feverishly on her I-pad screen. The story had a life of it’s own. She didn’t know where it came from or how it entered her brain. She saw Timothy Hardwick enter the ice-castle in the underground city. He moved like a dead man, stunned by the emerging structures surrounding him. He was drawn to a room deep in the bowels of the castle. Lights, powered by some unknown source, flickered in the gloom. The room was a rotunda. Figures sat on thrones lined up against the wall. Timothy felt his skin tingle and crawl in an attempt to escape. The figures were alive, but they were not human! A living movie flowed like acid into his brain revealing armored men with torches bent on destruction. Timothy couldn’t decode the information. Miranda was trying to communicate with him, trying to explain. He was witnessing the Cabal: ancients, aliens who observed the world and judged mankind. More was revealed about ordinary men, government puppets… and about one man who would set up a Patriarchy and make himself king. Insanity was in the works, but if necessary, the Cabal had a final solution.
The nation was shedding tears — torn apart by lies, innuendoes, and tweets. One rumor talked about a tenth planet, Nibiru, heading toward Earth on a collision course. Conspiracy theories abounded about an invasion from space. People sought refuge in social media. Celebrities were worshiped.
World News: “The Mistress glides across the flooded-plane in ten-inch heels like a stork.” — “The First Family leads the nation in both fashion and compassion lending a helping hand to people in need.”
The Stone Man reacted quickly, “What’s the goddamn emergency,” he yelled. He was led into a room at the palace and told to take a chair and watch the screen. He was about to watch events that were recorded within the last hour.
The king was giving a rousing speech to his most supportive troops. The men in the crowd signaled their obedience with raised arms and flaming torches. All members of the Royal Family were on stage showing gratitude to the adoring crowd. Drums beat. Trumpets blared. TV cameras captured every moment. The king beamed, “we will make this country great, again.”
A shot rang out. It wasn’t unexpected. The king had enemies. The shot sounded like a ping: spit hitting the rim of a spittoon. The king was an ardent supporter of open-carry laws to arm all citizens. An angry growl was voiced by the assembled partisans blaming “lefty’s” and foreigners for the deed. Fights broke out as the crowd tore itself apart. The family stood on stage frozen in shock and awe. The king was dead. The family was in crisis revealed before the cameras. The Baron dropped the smoking gun. No one suspected — he was just a child. The boy suffered from too many years of abject neglect at the hands of narcissistic adults. He snapped.
There was a universal sigh of relief. Even the royal family was glad to be out of the political spotlight. The king had become unstable. His deals had gone sour so he lashed out. He put everyone in embarrassing situations and mocked them when they failed to meet his insatiable demands. The first lady was at last free to enjoy her liaison with a much younger and more attractive man. Only the Baron suffered the consequences of his action, but it was a light sentence. He was committed to an institution for privileged delinquents. No one really blamed the Baron. The nation truly loved him and, one day, he was determined to be back in the spotlight… and maybe run for a political office.
“I met Michael Robinet one year before the onset of the global Crisis. It was the best year of my life. It was the only year worth remembering. The Crisis destroyed everything else. I thought love dried up years ago like a desiccated corpse. At my age something as precious as love seemed impossible. I’m seventy-five, active and healthy; but still seventy-five. Mike is sixty, a relative juvenile compared to me. He is athletic and very beautiful. I am not! He is also good natured and protective; but no one could protect any of us from the Crisis. I am Doctor Lydia Thornwall and I am responsible… responsible for everything!”
Lydia Thornwall was a neuroscientist. She was studying the effects of aging on the brain, especially as it related to dementia and Alzheimer’s disease. The work was very intense and she needed a break so she took a Virtual Trip to the Retro Club where she could get a jolt of brain-boost.
The Club was a neon amusement park. It brought back memories of a wild period when she explored the parameters of sex and drugs. At the time she told herself it was an analytical investigation, but with age she knew she was just having fun. Now, she was the oldest person in the Club. She still reveled in the culture of youth. She could flip back in time and experience the thrills of abandonment to prurient desires. Her recent discovery of a new brain-gene could wait awhile longer. She needed to experience a wave of ecstasy. She met Michael at the roundabout on the second floor.
The night poured into Lydia like a flood of Lysergic Acid. The walls melted and she awoke cradled in the arms of Michael Robinet. Love burrowed into her psyche like a velvet hummingbird probing a Venus Flytrap. That night, Lydia felt a fortress of solitude crumbling from within. The Venus Flytrap was deflowered and Lydia broke free from the prison of time. From that moment, Lydia was bound to Michael.
She returned to her laboratory on clouds of scented bouquets. She also had an added gift: the solution to the diseases of old-age, a way to activate the new brain-gene.
The political debate proceeded in the pavilion at Onstate University not far from the hospital lab where Lydia Thornwall worked on her new formula. Politics went viral on the internet like thousands of newly engineered viruses. Video Screens exploded with profanity. No one was certain if the back-alley talk was due to a viral infection or due to political maneuvering. Lydia lost interest, but she couldn’t avoid the talk. Computers were always on. There were whispered innuendos about spies — no one felt safe. There were accidents set off by exploding phones adding to the paranoia. Discord was everywhere.
Lydia hid beneath her desk trying to work on the new formula. She longed for Michael to help her through the current crisis. The man on TV yelled at Lydia and called her an ugly, old whore. She bit her lip determined to complete the formula. The TV man was somehow connected to the numbers. She wondered if he had access to her information. A loud speaker shook the room with a reminder for Dr. Lydia Thornwall. Her next client arrived and was waiting in the Green Room.
He said his name was Satan and he wanted to make a deal. Lydia didn’t believe in the supernatural or in religious dogma, besides deals with Satan always ended badly. The man was likely suffering from late onset Schizophrenia. He babbled like a politician.
Heads were spinning. The election was a battleground fought over oil rights, military might, and locker room etiquette. Surrogates gushed with praise for their powerful bosses, condoning everything that dripped like grease from the mouths of their leaders. Clandestine contracts were signed in corporate backrooms, souls were bartered and sold. Money greased the wheels of political power.
It meant nothing to Lydia. She was a devoted scientist trying to make the world a better place. “Help the children,” she whispered, “help the old and frail.”
She signed a contract with Michael on the night of her deflowering. The rain fell like quicksilver from a cobalt sky. It was magical; but, unfortunately, it was caused by global warming. Lydia sighed and pursued her work. She dismissed Satan who seemed to devolve into a curious Bonobo Chimpanzee sitting in the corner of her lab.
“Curious,” she thought, “the way things change.” It was, indeed, very odd. Reality appeared to shift and warp. Layers of perception were superimposed over one another like virtual dreams, worlds within worlds.
As she worked, she pondered recent discoveries in Quantum Physics. They found the “God Particle” as hypothesized over fifty years ago. They smashed atoms to find the particle. It was a major discovery.
Dr. Thornwall was also looking for a particle, part of the human genome. She knew the brain-gene existed and now she needed to expose it. If her calculations were correct the gene she sought would cure the disease of old age and unlock the potential for immortality.
The politician was having a bad day. He never should have signed the contract. His wishes were all granted: money, power, women and sex; everything – he was a major celebrity… but, he realized too late, there is always a price to pay.
Hatecore music was yelling over the loud speakers and there were riots in the streets. Storm troopers marched through the city wearing orange berets and yelling obscenities against women. A new day was dawning. Politics were blamed for the ensuing violence; but political enmity was only one factor. Dr. Lydia Thornwall was successful. She exposed the brain-gene and there were unexpected consequences: once exposed, the gene became dominant. It was more than Dr. Thornwall anticipated; not a cure, but a disease: a link to psychosis that came to be known as Satan’s Spark. The Spark went viral.
Lydia had a room in the psychiatric ward at Resurrection Hospital. She suffered a nervous breakdown brought on by exhaustion. No information was known about Lydia — one night she just turned up at the emergency room. No one knew where she came from or what she did. Michael Robinet worked as an orderly and he was very kind to Lydia. Michael was a guardian angel.
“I’m infected,” Alan Beebek told his post-op girlfriend.
“You’re just crazy,” Sabrina Cataract relished in humiliating Alan. It was virtually salient… and better than sex. Most people experimented with some form of sadomasochism as proscribed by the new ethic that flowed from the Throne of Power.
Alan had trouble concentrating due to self-imposed dementia. It was his defense against roving spy-eyes and news-cam attacks.
Sabrina was devastating in her candy-striper uniform with dildo attachments. She pouted and whip-lashed Alan with her viper tongue, “Alan… you just a selfish prick. No one and nothing matters but your need to blubber. What about my needs as an autodidact. You think these enhancements, that you love so much, are free? Stop your whining and make some money for momma!”
The world flashed and Alan slipped into a petit-mal seizure triggered by rising levels of sulfuric acid in the atmosphere.
He knew he was infected. Trolls wearing red diapers nailed him to a cross and called him, Kike. Men wrapped in white pillow cases stomped on his grave. Sabrina enjoyed the spectacle. It was sexually satisfying between episodes of “The next top model” and “America’s got talent.”
Alan Beebek saw himself on a thousand computer screens. The mirror never lies. He stared at an old man wrapped in age-spots and covered in wrinkles. He was a death camp survivor hauled off to be buried alive by storm troopers wearing orange wigs.
“It’s simple,” doctor Zosimo Kulio explained, “the computer in your head blew a fuse. Nano-bytes slipped through the black hole and took control.” Alan knew it was true.
Chain smokers in black government-approved suits set off a chain-reaction of improbable events that started in a Moscow hotel-room. The men in black hacked reality. A surge of microwave transmissions, residual resonance, was an unintended consequence.
Even through the mask of self-imposed dementia, Alan formulated the truth. It was a hard scrabble truth that started with the writer, Octavia Butler. In 2006 she fell and struck her head. The fall prompted her death. She was only fifty-eight years old. The incident triggered several events that led to government subversion and a flashback-relay of the “Manchurian Candidate” starring Angela Lansbury. Of course, all this took place in Alan’s fevered brain. Alan simmered with several obsessions like the myth of Cthulhu (a creature created by H P Lovecraft). Cthulhu was a harbinger of invasion and infection.
He hated going to the dentist. Cthulhu was always present. The office gleamed under florescent beams: walls of white with chrome attachments. The dentist, Cthulhu, stuck power tools and cutting implements into Alan’s mouth while he argued with the dental hygienist. They argued about the discovery of life on Enceladus. The dental hygienist was a pretty lady with a huge, open mouth ready to devour the universe. They argued about the impact of an alien invasion on planet Earth. They closed shop once the new Throne was elected. it was worse than they imagined.
Elevator music never stopped. It spread to malls, Wallmarts, and torture chambers. Sometimes a real song broke through the nerve gas that was meant to subdue the masses. “Stormy Weather” sung by Etta James shot fear into the hearts of the power brokers and oil magnates. Someone had to shut down the damn music. New rules were hurriedly tweeted and instituted, “Music. Bad. Stop the invading armies of fake music-makers.” Laws were passed. The infection reared up on Cthulhu-tentacles and drove spikes into Alan Beebek’s head.
He couldn’t forget. Self-imposed dementia no longer worked. The infection started in his ear and burrowed deep into his brain.
Sabrina Cataract sat in a chair and murmured dirty words to an ailing Alan. She sucked on a Marlboro. The room was shrouded in a fog of nicotine. Alan coughed. It was humiliating. Sabrina instructed him on an old Indian cure for infections. She watched, barely containing her laughter, as Alan followed her orders. The cure was urine. Alan was supposed to pee in his ear to stop the infection. Alan knew it was a ruse, one of Sabrina’s games; but he peed anyway.
A golden light broke through the nicotine haze. Sabrina was dismayed. It was never meant to work; but she couldn’t deny her senses: something was happening, something miraculous.
(to be continued)
“The box on the counter keeps smiling at me,” the deranged man wryly commented. He was conversing with the coffee mug, the defacto king of the kitchen table. It was a one way conversation. The king refused to speak.
The deranged man was recently diagnosed with an extreme form of dementia called, “the crazy maker.” He didn’t feel crazy; but he couldn’t understand why the box kept smiling or why strangers kept attacking him. The Real fake-news told him it was due to a “white house” thing, a new ethic. People were given the license to demean what they did not like. The new license was constitutionally linked to the right to bare arms: god given and legally binding. Loathsome behavior was celebrated and received the highest Nielsen ratings on virtual screens across the internet.
The deranged man did not have dementia. He just wanted to forget the latest tweets that were becoming the law of the land so he shut off his mind and became a walking zombie (zombies were the latest craze in pop culture). His name was Beebek, Alan Beebek; but he forgot he had a name and instead he just concentrated on the smiling box and the coffee mug. He concentrated and waited for their instructions… to tell him how to act and what to think.
(to be continued)
“When the fox gets in the henhouse the chickens put up a ruckus,” Farmer Yoot was fond of saying. He continued, “that’s what happened around here when Fox News said we’ve been visited by an agent from the future. Everyone thought it was fake news, but no one could refute the chicken scratchings or the hard, cold facts.”
A precocious boy named Benny tinkered in his basement workshop. He built something he called, “Moe-Moe” that had to do with Molecular Observation and co-Efficiency.
“Pretty cute!” Mom scolded, “taking my toaster-oven and turning it into a pile of junk.”
Benny blushed… it wasn’t fair. Moe-Moe was not a pile of junk. Moe-Moe had a brain.
The old man flipped the switch. He was “old” even though he was only forty-eight. Physical bodies aged quicker without medical coverage, exercise, and sunshine. It was a new world. However, none of that really mattered because everyone lived in Virtual Reality. The program the old man was experiencing was depressing. It was like living inside the mind of a lunatic. The show was a hangnail from the past called, “Politics and Conspiracy.”
The man switched channels. He showed up at Loopy-Dezi’s Pleasure Dome drinking Ambrosia and shopping for image-enhancements. His current body-suit was a Mesomorph and his nik was, Butch Hernandez. He looked like a newly hatched eighteen-year-old (like everyone else in the Pleasure Dome). VR made everything possible. Of course, a customer had to pay. Terms were easy: cash, digital-dots, or body parts. Slice-and-dice Computers were in charge of all transactions. Butch was lucky — his body was still in one piece. Although he was penniless he could still pay and play. While he played his body was carved apart and recycled to wealthy oligarchs. The new economy favored the rich and ruthless.
The economy was built from rules that resulted from Kingdom Come, an armageddon series written and produced by the first Trump. Earth no longer existed in any recognizable form — it sizzled and sweltered. Living bodies were stored in tanks underground, cold storage. Minds were set free to roam virtual landscapes and participate in heart-throbbing Telenovelas.
“On Deck with Trump” was a clever VR that pitted contestants against the first Trump (a stochastic representation often displayed as a bubblehead). The game was rigged. No one was allowed to win accept the self-anointed demigod. It was just good fun. Hearts were eviscerated and livers eaten raw. Everything was experienced as high-definition reality. No one experienced anything outside a storage tank in a thousand years. The physical senses no longer worked. The brain became the world. Augmented dreams were the basis for life.
Moe-Moe slipped off the shelf and disappeared. Benny smiled. Mom slithered away like a garden snake and burst into fireworks. Reality played tricks with itself… was this Virtual or Memorex… “Can you hear me now?”
Martha Regalia Snoops invented Time. She was a housewife with a peculiar hobby: the study and application of Quantum Physics. She was in the kitchen baking a cake when she realized the theory and formula for Time. Her discovery is explained fully in the Wiki, but my explanation will be brief: Martha’s cake was layered — several layers overlapped, separated and merged. She discovered Time is not a straight line going in one direction. Time is layered with the past, present, and future separated and blended together like the layers of a cake. Her mathematical formula reset the world of Quantum Physics. In an odd coincidence, Martha happened to be Benny’s mom. Benny inherited Martha’s smarts. Martha was proud of her boy genius, but also a bit jealous.
Moe-Moe, the toaster oven, had a brain invented by Benny. It lingered for months soaking up the dingy surroundings in the basement. It took some time for the brain to wake up, but once awake it couldn’t be stopped. The brain ate information like a voracious shark. Moe-Moe had a wireless connection to the internet. The toaster oven spoke through a discarded I-phone with the voice of Boris Karloff. Moe-Moe connected to the mycelium mushroom network (the planet brain). The toaster oven consumed the knowledge of the world and finally discovered Martha’s Time formula. A plan was hatched both in the past and in the future. The toaster oven shot through a wrinkle in time and the world was changed forever.
No one remembers the Bubblehead Dynasty or the underground storage tanks. No one remembers kingdom Come. Layers of Time were shifted: separated, merged and forever changed.
The parlay in the restaurant was getting rowdy. Too much good stuff. It was a power-dinner for all the characters involved in the government kerfuffle — abdication, vindication, subjugation. No one was happy. The scoundrels were evicted from the henhouse. A new roost was put into office. One entanglement followed another. People cried out for a rough-and-tumble rooster to show them the way.
“I walk alone in the night like a specter. I see myself through distorted glass and warped mirrors that block my path. I recognize no one… I am no one. A dark shadow stalks me, haunts me. My quest for redemption is almost over…”
There was always music in the Darkk Museum. The night watchman listened as he made his rounds through the dank corridors and ancient halls where the city’s most revered treasures were stored. Raymond Rambush was only forty-eight, but he was already old, almost feeble. He was a fine artist, but his art did not sell. His only income came from working as a night watchman. He considered himself lucky to work in a highly esteemed museum where he could study the masterpieces on the walls. There was art and ancient relics on all three floors, but the most amazing contemporary work was stored in the underground museum, not open to the general public. Raymond always struggled. He never had the money to join professional art groups that might sponsor a show of his work. It was difficult getting influential people to come to his studio to look at his art. He was always living on the edge, between life and death, and the unrealistic dream of his art being discovered.
Ambrose Darkk built the museum from the ground up, a place to contain his unique art. While Darkk was in charge, the museum was never popular — too many accidents and strange encounters. A year after Darkk’s disappearance, the Trustees of the museum refurbished the building and stored the artist’s work in the subterranean vaults. Cultural artifacts and antiques were placed on the floors open to the public. The remake proved popular and an entrance fee was instituted to keep the museum afloat and earn a generous stipend for the trustees. Rumors circulated about Ambrose and his museum, but it only added to the public’s morbid interest; yet, no one wanted to see the work of the artist — old relics were enough to satisfy the viewing public. When Darkk was alive he was filled with hatred because most people dismissed him as a crank. He used his anger to infuse his art. A few collectors humored him because the Darkk family had money. Ambrose was aware of the sham. He grew more and more morose until the day he finally disappeared.
Raymond walked the halls and galleys of the Darkk, listening to distant sounds and eerie music that came from the basement. The sounds always led him to the underground vaults where rumors alluded to supernatural occurrences. Raymond saw enough of life to know there was no magic, no uncanny interventions. His life was characterized by tedium and torment … and the desire to create. For Raymond the only magic in life was making art. When he was a young man he desperately tried to break from the bonds of daily drudgery and discover some world beyond the norm. He realized how much he needed magic to make his life meaningful. He tried LSD and other mind altering drugs — he was seduced by strange visions and dreams, but when the drug wore off nothing really changed — he was faced with the dilemma of his sad life in a world where he was not accepted or appreciated. His art languished. His creative juices dried up. He tortured himself trying to regain his creative vision. Raymond threw himself into sexual abandon in hopes of cultivating some truth beyond ordinary reality. He experimenting with physical and mental sadomasochism. The rituals and fetishes amounted to nothing: no truths and no resolves. He fell to earth like a being from another world — ending in a pit of total despair. Raymond’s despair came from the realization that there was no magic and no life beyond death. In his despair he picked up a brush and discovered he could still paint — he was able to make art and that was his only value and function. He accepted the drudgery necessary to keep eating and breathing in order to create.
Raymond was intrigued by the art in the vaults beneath the museum. The Paintings by Ambrose Darkk were primitive and disturbing. They did not seem particularly sophisticated — filled with childlike splashes in a maze of atmospheric delirium, but the more he studied the art the more intrigued he became. Raymond began to see images in the paintings. The “altered music” became louder the longer he lingered. Night after night, Raymond spent more time in the vaults. His mind played tricks — he knew the wraiths he saw were merely shadows caused by his subconscious need for hallucinatory stimulation. A particular dark shadow frequently appeared. Raymond imagined it was the remains of Ambrose Darkk, appearing as some sort of necromancer. The paintings seemed to change. Faces appeared and vanished. Each canvas was a portrait — each told a story. Raymond no longer walked the halls of the museum — he spent all night in the vault. The portraits were alive. He heard them scream, but he could not tear himself away. One night, Raymond saw a blank canvas in the Darkk Vault. The next night he saw a man dressed in black like a shadow sitting in front of the blank canvas with brushes and paint. While Raymond starred at the apparition the music flowed like blood becoming louder and more dissonant… then, it stopped!
Raymond Rambush was never seen again and music was no longer heard in the Darkk Museum.