Tagged: identity

Dying Sun

There was a total eclipse of the sun … at the moment when the moon devoured the light sepulchral events were triggered. It became more difficult to rationalize one’s life, and easier to accept death.

The tall-man stood on a bridge that spanned a crack in the earth. He smiled. The bones in his throat rattled like the engine in a broken-down car. He was a ruler: King in the Land of the Dying Sun.

Arthur Rambluster was having a grim day. His best friend, Veronica Delfacto, was dying. She developed Septicemia, a blood infection with no known cause. Arthur did not want to think about Veronica so instead he thought about his name. He never liked the solemnity of his given name — he preferred to be called by his nickname, Artie. His mind kept shifting back to Veronica. Artie was feeling guilty because he didn’t want to visit his dying friend. He had his own problems to consider.

First off, he thought he was prematurely dead. He’d been trying to concoct a more powerful cleaning-formula to attack the dirt he saw everywhere in his one bedroom condo. People often called Artie a “clean freak.” It all began when he was a child as a way of coping with stress. Symptoms continued to get worse as he grew older. Without thinking Arthur mixed several products that combined to produce chlorine gas. The smell was like a blast from an acetylene torch. He thought his eyes were dissolving in acid. He ran screaming from the house. The cool air revived him — he no longer felt dead. This was a reprieve so he decided he’d better visit his dying friend.

Arthur was upset by mendacity, lies everywhere. Everything was fake. There was no escaping the news. Computer screens never shut down. Arthur grappled with chaos. He wanted the world to be as clean and white as porcelain. Everyday he had to face disasters: hurricanes, wars, and massacres.

Veronica Delfacto lived in an old house that was left to her by an unconventional aunt, Mademoiselle Felicity. At one time the house was a ravishing, rainbow-hued beauty. Now the house reeked of remorse for better days and lost lives… it had fallen into itself like the carcass of a butchered cow. Veronica was an artist. Although she was mediocre at best, she was intent on acting as if she was a genius who created masterpieces. The drama, the fiction, excited her to no end. She pretended to devote every living moment to her art. Nothing else mattered. Housecleaning was the least of her interests. Repairing the roof or rebuilding the ramshackle porch did not concern her in the least. She owned two cats for company, Ezma and Cora. The cats took care of the house.

Artie always felt tortured when entering Veronica’s house … but she was dying and time was running out. The stench repulsed him. The moth eaten drapes covered with cob webs nauseated him. Veronica’s paintings reminded him of moldy food covered with worms. How, he wondered time and again, did he ever befriend this mad woman.

They met at the Homeopathic display-rack in Pieta’s Health Emporium. They were both interested in staving off death for as long as possible … both seeking better outcomes than what life already provided. Both were hypochondriacs.

The Land of the Dying Sun comes closer everyday. During the total eclipse, the Dying Sun slipped its’ moorings and began to drift … drawn like a magnet … across the bulkheads of  Time and Space.

Arthur sat with Veronica, holding her hand. “I’m dying,” she spoke through a haze of green smoke. Her voice was weak, but filled with drama. The old drugs, prescribed by doctors, never worked. Veronica preferred the promises offered by marijuana and psychedelics. In her mind she was painting a masterpiece. It was called, The Last Gasp. Veronica vaguely registered Arthur who frantically held her hand as if he were clinging to his very own life.

Artie was upset and still feeling guilty. He couldn’t take it anymore. He had to leave. There was so much to do … so much cleaning that had to be completed. If he could put things back in order, sanitized and dirt-free, he would feel better. He had to clean himself as well, especially after visiting the hell hole where his friend was dying. He had to attain purity.

Weeks passed. Artie no longer heard from Veronica, perhaps, she passed away. It didn’t matter anymore. Things were getting cleaner. Arthur tracked every speck of dust and mopped it away.

Once, his parents sent him to a therapist to get to the bottom of his obsessions. Dr. Mortis Hem was a tall man, a gaunt man. He had pictures of the End Times on his office walls. Artie was withdrawn; but Dr. Hem cracked his shell and sucked him out like a boiled lobster.

When Arthur was four he was traumatized by the sight of a black rat rummaging through the garbage that spilled on the kitchen floor. The trauma was burned in his subconscious and became the root of his obsessive behavior. The doctor told Artie he could never avoid rats. He said Artie could never avoid dirt. The natural world was dirty and filled with rats. Arthur was traumatized even more. He felt threatened. He felt cursed.

Veronica never called again. Artie dreamt his friend was laid out on a large table. She was the banquet. Rats consumed her body. Artie woke up screaming.

Synchronicity played a horrible trick. Perhaps it was the shifting of light that caused the ensuing events. When Arthur woke from his nightmare he went into his spotless bathroom. A rat sat on top of the toilet tank. Fear froze both rat and man like a wall of impenetrable ice. As unexpected as a snapping icicle piercing flesh, Arthur was shocked back to his senses. He ran from the bathroom, slamming the door behind him.

He could not reconcile reality. It couldn’t be happening.

The exterminator was quick and efficient. Arthur no longer had to worry. He was pest free.

The months that followed were like fleeting images in a dream. The Dying Sun sucked color from the world. Everything turned gray and dirty.

Arthur began to change. At first everything seemed better. He felt more relaxed. He had more energy. His appetite improved. He enjoyed taking long walks. Objects seemed to glow as if he was seeing the world through infrared lenses. He no longer sensed the Dying Sun.

Soon Arthur noticed something peculiar. He became enthralled with the night. He craved small, dark places where he could hide. He stopped cleaning his home. He reveled in the dust. He enjoyed garbage.

He no longer recognized himself. His eyes were small, beady coals of incendiary red.

 

 

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the Infection

“I’m infected,” Alan Beebek told his post-op girlfriend.

“You’re just crazy,” Sabrina Cataract relished in humiliating Alan. It was virtually salient… and better than sex. Most people experimented with some form of sadomasochism as proscribed by the new ethic that flowed from the Throne of Power.

Alan had trouble concentrating due to self-imposed dementia. It was his defense against roving spy-eyes and news-cam attacks.

Sabrina was devastating in her candy-striper uniform with dildo attachments. She pouted and whip-lashed Alan with her viper tongue, “Alan… you just a selfish prick. No one and nothing matters but your need to blubber. What about my needs as an autodidact. You think these enhancements, that you love so much, are free? Stop your whining and make some money for momma!”

The world flashed and Alan slipped into a petit-mal seizure triggered by rising levels of sulfuric acid in the atmosphere.

He knew he was infected. Trolls wearing red diapers nailed him to a cross and called him, Kike. Men wrapped in white pillow cases stomped on his grave. Sabrina enjoyed the spectacle. It was sexually satisfying between episodes of “The next top model” and “America’s got talent.”

Alan Beebek saw himself on a thousand computer screens. The mirror never lies. He stared at an old man wrapped in age-spots and covered in wrinkles. He was a death camp survivor hauled off to be buried alive by storm troopers wearing orange wigs.

“It’s simple,” doctor Zosimo Kulio explained, “the computer in your head blew a fuse. Nano-bytes slipped through the black hole and took control.” Alan knew it was true.

Chain smokers in black government-approved suits set off a chain-reaction of improbable events that started in a Moscow hotel-room. The men in black hacked reality. A surge of microwave transmissions, residual resonance, was an unintended consequence.

Even through the mask of self-imposed dementia, Alan formulated the truth. It was a hard scrabble truth that started with the writer, Octavia Butler. In 2006 she fell and struck her head. The fall prompted her death. She was only fifty-eight years old. The incident triggered several events that led to government subversion and a flashback-relay of the “Manchurian Candidate” starring Angela Lansbury. Of course, all this took place in Alan’s fevered brain. Alan simmered with several obsessions like the myth of Cthulhu (a creature created by H P Lovecraft). Cthulhu was a harbinger of invasion and infection.

He hated going to the dentist. Cthulhu was always present. The office gleamed under florescent beams: walls of white with chrome attachments. The dentist, Cthulhu, stuck power tools and cutting implements into Alan’s mouth while he argued with the dental hygienist. They argued about the discovery of life on Enceladus. The dental hygienist was a pretty lady with a huge, open mouth ready to devour the universe. They argued about the impact of an alien invasion on planet Earth. They closed shop once the new Throne was elected. it was worse than they imagined.

Elevator music never stopped. It spread to malls, Wallmarts, and torture chambers. Sometimes a real song broke through the nerve gas that was meant to subdue the masses. “Stormy Weather” sung by Etta James shot fear into the hearts of the power brokers and oil magnates. Someone had to shut down the damn music. New rules were hurriedly tweeted and instituted, “Music. Bad. Stop the invading armies of fake music-makers.” Laws were passed. The infection reared up on Cthulhu-tentacles and drove spikes into Alan Beebek’s head.

He couldn’t forget. Self-imposed dementia no longer worked. The infection started in his ear and burrowed deep into his brain.

Sabrina Cataract sat in a chair and murmured dirty words to an ailing Alan. She sucked on a Marlboro. The room was shrouded in a fog of nicotine. Alan coughed. It was humiliating. Sabrina instructed him on an old Indian cure for infections. She watched, barely containing her laughter, as Alan followed her orders. The cure was urine. Alan was supposed to pee in his ear to stop the infection. Alan knew it was a ruse, one of Sabrina’s games; but he peed anyway.

A golden light broke through the nicotine haze. Sabrina was dismayed. It was never meant to work; but she couldn’t deny her senses: something was happening, something miraculous.

(to be continued)

Deranged

“The box on the counter keeps smiling at me,” the deranged man wryly commented. He was conversing with the coffee mug, the defacto king of the kitchen table. It was a one way conversation. The king refused to speak.

The deranged man was recently diagnosed with an extreme form of dementia called, “the crazy maker.” He didn’t feel crazy; but he couldn’t understand why the box kept smiling or why strangers kept attacking him. The Real fake-news told him it was due to a “white house” thing, a new ethic. People were given the license to demean what they did not like. The new license was constitutionally linked to the right to bare arms: god given and legally binding. Loathsome behavior was celebrated and received the highest Nielsen ratings on virtual screens across the internet.

The deranged man did not have dementia. He just wanted to forget the latest tweets that were becoming the law of the land so he shut off his mind and became a walking zombie (zombies were the latest craze in pop culture). His name was Beebek, Alan Beebek; but he forgot he had a name and instead he just concentrated on the smiling box and the coffee mug. He concentrated and waited for their instructions… to tell him how to act and what to think.

(to be continued)

 

A Timely Tale

“When the fox gets in the henhouse the chickens put up a ruckus,” Farmer Yoot was fond of saying. He continued, “that’s what happened around here when Fox News said we’ve been visited by an agent from the future. Everyone thought it was fake news, but no one could refute the chicken scratchings or the hard, cold facts.”

A precocious boy named Benny tinkered in his basement workshop. He built something he called, “Moe-Moe” that had to do with Molecular Observation and co-Efficiency.

 “Pretty cute!” Mom scolded, “taking my toaster-oven and turning it into a pile of junk.”

Benny blushed… it wasn’t fair. Moe-Moe was not a pile of junk. Moe-Moe had a brain.

—————————————————-

The old man flipped the switch. He was “old” even though he was only forty-eight. Physical bodies aged quicker without medical coverage, exercise, and sunshine. It was a new world. However, none of that really mattered because everyone lived in Virtual Reality. The program the old man was experiencing was depressing. It was like living inside the mind of a lunatic. The show was a hangnail from the past called, “Politics and Conspiracy.”

The man switched channels. He showed up at Loopy-Dezi’s Pleasure Dome drinking Ambrosia and shopping for image-enhancements. His current body-suit was a Mesomorph and his nik was, Butch Hernandez. He looked like a newly hatched eighteen-year-old (like everyone else in the Pleasure Dome). VR made everything possible. Of course, a customer had to pay. Terms were easy: cash, digital-dots, or body parts. Slice-and-dice Computers were in charge of all transactions. Butch was lucky — his body was still in one piece. Although he was penniless he could still pay and play. While he played his body was carved apart and recycled to wealthy oligarchs. The new economy favored the rich and ruthless.

The economy was built from rules that resulted from Kingdom Come, an armageddon series written and produced by the first Trump. Earth no longer existed in any recognizable form — it sizzled and sweltered. Living bodies were stored in tanks underground, cold storage. Minds were set free to roam virtual landscapes and participate in heart-throbbing Telenovelas.

“On Deck with Trump” was a clever VR that pitted contestants against the first Trump (a stochastic representation often displayed as a bubblehead). The game was rigged. No one was allowed to win accept the self-anointed demigod. It was just good fun. Hearts were eviscerated and livers eaten raw. Everything was experienced as high-definition reality. No one experienced anything outside a storage tank in a thousand years. The physical senses no longer worked. The brain became the world. Augmented dreams were the basis for life.

Moe-Moe slipped off the shelf and disappeared. Benny smiled. Mom slithered away like a garden snake and burst into fireworks. Reality played tricks with itself… was this Virtual or Memorex… “Can you hear me now?”

Martha Regalia Snoops invented Time. She was a housewife with a peculiar hobby: the study and application of Quantum Physics. She was in the kitchen baking a cake when she realized the theory and formula for Time. Her discovery is explained fully in the Wiki, but my explanation will be brief: Martha’s cake was layered — several layers overlapped, separated and merged. She discovered Time is not a straight line going in one direction. Time is layered with the past, present, and future separated and blended together like the layers of a cake. Her mathematical formula reset the world of Quantum Physics. In an odd coincidence, Martha happened to be Benny’s mom. Benny inherited Martha’s smarts. Martha was proud of her boy genius, but also a bit jealous.

Moe-Moe, the toaster oven, had a brain invented by Benny. It lingered for months soaking up the dingy surroundings in the basement. It took some time for the brain to wake up, but once awake it couldn’t be stopped. The brain ate information like a voracious shark. Moe-Moe had a wireless connection to the internet. The toaster oven spoke through a discarded I-phone with the voice of Boris Karloff. Moe-Moe connected to the mycelium mushroom network (the planet brain). The toaster oven consumed the knowledge of the world and finally discovered Martha’s Time formula. A plan was hatched both in the past and in the future. The toaster oven shot through a wrinkle in time and the world was changed forever.

No one remembers the Bubblehead Dynasty or the underground storage tanks. No one remembers kingdom Come. Layers of Time were shifted: separated, merged and forever changed.

———————————————————-

The parlay in the restaurant was getting rowdy. Too much good stuff. It was a power-dinner for all the characters involved in the government kerfuffle — abdication, vindication, subjugation. No one was happy. The scoundrels were evicted from the henhouse. A new roost was put into office. One entanglement followed another. People cried out for a rough-and-tumble rooster to show them the way.

Great Expectations

They were coming from beyond the horizon. Jonathan Rangle saw them through the Ultra-Lens he purchased from a Con-Arts Website: giant, voracious ants devouring everything in sight. The dream fragmented and shattered like a delicate wine glass. Jonathan was fifty and he still had comic-book dreams. The little boy inside the man refused to grow up. He was immature, unable to accept reality.

Jonathan couldn’t adjust. He tried (sometimes desperately) to control circumstances. He was convinced something was wrong (a spanner in the works). He was driven to discover the true nature of reality. Doctor Zosomo Kulio told him, “your behavior is part of a vicious circle: you reject reality only to create another version that you also reject as being inauthentic — and the cycle starts over.”

What Zosomo said made sense, but it didn’t really matter. Something really was wrong, terribly wrong!

Rufus, a rat that lived in the wall, told Jonathan Rangle that people around the country were very upset. Rufus was Rangle’s best friend. He sat on his haunches and ate cheese. Together, the rat and the man, sipped wine and talked until delirium set in and the morning sun ignited the world.

“They want more,” the rat said, “TV isn’t enough. The world is changing too fast. Old jobs are being replaced with technology. Only movie stars and billionaires can afford the life that TV promotes. Ads are everywhere. Buy more. Eat more. Get more any way you can. Privacy is a thing of the past. Computers invade brains with slogans and enticements. Free credit. Free everything!”

“Yes,” Jonathan ruminated, “it wasn’t like this in the 1950’s. It was pleasant and easy going, or so I’ve been told.”

“Wrong,” the rat sneered, “it was lily white and the world was under the threat of nuclear annihilation. Today, people are running scared cause they are being replaced. The alien threat is real, but it has nothing to do with immigrants or minorities.”

Jonathan knew what Rufus meant. His own father was a white-nationalist. He was an angry man who blamed other people for his own failures.

Rufus commiserated, “you have to be a failure in America… that’s how the rich get richer. Poor people are brain-washed to buy what they can’t afford so they go into debt. It’s a vicious circle. Believing the rich man is the biggest mistake of all.”

The news of the election-results was very upsetting, but not unexpected.

Unhappy voters gave the reigns of government to a New Faction. Traditional politicians with their empty promises were no longer acceptable. Outright lies were easier to digest. Fables on gold platters were more palatable than cold facts and reasoned debate that forced people to think. Thinking was considered hard work. No one really wanted to work except for “stupid immigrants who were stealing jobs” (quote taken from the New Faction website). Most people wanted the leisurely life that only the new President and his cabinet could provide.

The New Faction took control. Jonathan was bereft. Rufus took it all in stride. At first people were dismayed, but eventually what seemed so unnatural became acceptable. The press and congress wanted to give the new team a chance; they couldn’t be worse than other administrations.

The New Faction was very different. Working to fulfill great expectations, the President and his cabinet made an effort to appear human. Inevitably, nature took its course and the president slipped back to his old ways: wallowing in swill. The members of the new cabinet were relieved to discard the clothes they were forced to wear in order to fool the public.

“the world will never be the same,” Rufus commented as he ate his cheese and sipped his wine. Jonathan nodded.

Eventually everyone got used to pigs in the White House. Soon it was “business as usual” having barnyard animals rule the country.

The Darkk

“I walk alone in the night like a specter. I see myself through distorted glass and warped mirrors that block my path. I recognize no one… I am no one. A dark shadow stalks me, haunts me. My quest for redemption is almost over…”

There was always music in the Darkk Museum. The night watchman listened as he made his rounds through the dank corridors and ancient halls where the city’s most revered treasures were stored. Raymond Rambush was only forty-eight, but he was already old, almost feeble. He was a fine artist, but his art did not sell. His only income came from working as a night watchman. He considered himself lucky to work in a highly esteemed museum where he could study the masterpieces on the walls. There was art and ancient relics on all three floors, but the most amazing contemporary work was stored in the underground museum, not open to the general public. Raymond always struggled. He never had the money to join professional art groups that might sponsor a show of his work. It was difficult getting influential people to come to his studio to look at his art. He was always living on the edge, between life and death, and the unrealistic dream of his art being discovered.

Ambrose Darkk built the museum from the ground up, a place to contain his unique art. While Darkk was in charge, the museum was never popular — too many accidents and strange encounters. A year after Darkk’s disappearance, the Trustees of the museum refurbished the building and stored the artist’s work in the subterranean vaults. Cultural artifacts and antiques were placed on the floors open to the public. The remake proved popular and an entrance fee was instituted to keep the museum afloat and earn a generous stipend for the trustees. Rumors  circulated about Ambrose and his museum, but it only added to the public’s morbid interest; yet, no one wanted to see the work of the artist — old relics were enough to satisfy the viewing public. When Darkk was alive he was filled with hatred because most people dismissed him as a crank. He used his anger to infuse his art. A few collectors humored him because the Darkk family had money. Ambrose was aware of the sham. He grew more and more morose until the day he finally disappeared.

Raymond walked the halls and galleys of the Darkk, listening to distant sounds and eerie music that came from the basement. The sounds always led him to the underground vaults where rumors alluded to supernatural occurrences. Raymond saw enough of life to know there was no magic, no uncanny interventions. His life was characterized by tedium and torment … and the desire to create. For Raymond the only magic in life was making art. When he was a young man he desperately tried to break from the bonds of daily drudgery and discover some world beyond the norm. He realized how much he needed magic to make his life meaningful. He tried LSD and other mind altering drugs — he was seduced by strange visions and dreams, but when the drug wore off nothing really changed — he was faced with the dilemma of his sad life in a world where he was not accepted or appreciated. His art languished. His creative juices dried up. He tortured himself trying to regain his creative vision. Raymond threw himself into sexual abandon in hopes of cultivating some truth beyond ordinary reality. He experimenting with physical and mental sadomasochism. The rituals and fetishes amounted to nothing: no truths and no resolves. He fell to earth like a being from another world — ending in a pit of total despair. Raymond’s despair came from the realization that there was no magic and no life beyond death. In his despair he picked up a brush and discovered he could still paint — he was able to make art and that was his only value and function. He accepted the drudgery necessary to keep eating and breathing in order to create.

Raymond was intrigued by the art in the vaults beneath the museum. The Paintings by Ambrose Darkk were primitive and disturbing. They did not seem particularly sophisticated — filled with childlike splashes in a maze of atmospheric delirium, but the more he studied the art the more intrigued he became. Raymond began to see images in the paintings. The “altered music” became louder the longer he lingered. Night after night, Raymond spent more time in the vaults. His mind played tricks — he knew the wraiths he saw were merely shadows caused by his subconscious need for hallucinatory stimulation. A particular dark shadow frequently appeared. Raymond imagined it was the remains of Ambrose Darkk, appearing as some sort of necromancer. The paintings seemed to change. Faces appeared and vanished. Each canvas was a portrait — each told a story. Raymond no longer walked the halls of the museum — he spent all night in the vault. The portraits were alive. He heard them scream, but he could not tear himself away. One night, Raymond saw a blank canvas in the Darkk Vault. The next night he saw a man dressed in black like a shadow sitting in front of the blank canvas with brushes and paint. While Raymond starred at the apparition the music flowed like blood becoming louder and more dissonant…  then, it stopped!

Raymond Rambush was never seen again and music was no longer heard in the Darkk Museum.

Father Ship

The Brain that controlled the spaceship was provoked. It sent out urgent messages and demands. After several unresponsive minutes the Brain was frustrated and attacked the loud speakers, “I want everyone off the ship. This is the final warning. I will not continent any more disrespect. Off! Off! Off!” These outbursts had been going on for quite awhile. No one listened anymore.

The Orange Toreador tunneled through space like a Mother Bomb. The Generation Ship was the greatest achievement of the twenty-first century… the only genuine accomplishment from a world that was long gone, left behind in the aftermath of “lift off” on an arc of fireworks and exhaust fumes.

The Toreador carried a cadre of brave and powerful people who planned to harness and yoke a new world for the continued glory of humankind. The first order of business was to discover a habitable planet. The ship hurtled through Ultra-Space powered by a time-loop. Three hundred years passed in the blink of an eye. The boarders on the ship merely experienced a passage of three weeks.

Morton Sedlack could no longer see himself in a mirror. He could no longer identify himself. He was a dying man sinking into a memory-foam mattress on the way down to a coffin in the ground. He awoke suddenly and found himself in the evacuation chamber of a starship. He was being evicted, cast into the vacuum of space. The Brain began the eviction process. It dismantled the failsafe and took total control.

Initially the Brain merely wanted to initiate money saving measures by cutting back on environmental safeguards. Oxygen deprivation ignited a series of citizen protests. The Brain could not abide any criticism. It decided drastic measures were necessary to keep the ship on course.

The sons-and-daughters of the Brain were frantic. They could see the same scenarios play out always ending in disaster. They were gathered in the Strategic Armaments Room — staring down at a holographic projection of “things past” and ” things to come.” The conference room was an exact replica of the glitzy showroom on Earth where major military decisions were authorized over a slice of chocolate cake. What disturbed the advisors was the lack of fashion-sense among the passengers on the Father-Ship. The lack of oxygen and total loss of control were also very problematic.

When Morton Sedlack was ejected into space he was filled with remorse. Sedlack wasn’t sad because his life was over, he was bereft because he left someone behind. He loved a cyborg named Phantom Limb. As his body blew up in the vacuum of space he remembered his last night with Limb.

Lights were flashing erratically due to the latest outburst from the Brain. A hellish rant of vitriol overflowed from the life-sustaining pool where the Brain was stored. Some people said the pool was a cage. Others said the Brain deserved to be in a cage. Morton and Limb relived beautiful moments together knowing the end was near. They tripped in enhanced VR, more real than life itself: the electrifying first kiss, metal to flesh… the fireworks of internal combustion and quivery intestines… the high-voltage synapse of brain cells conjoined with silicon chips… the ultimate experience being together when the sky exploded and the rocket launched into space.

Morton’s last wish was to be remade in molten metal and poured into his beloved, Phantom Limb. His wish and memories burned down to a tiny cinder.

Phantom Limb railed against the night. He was more than a metal arm or leg… more than a limb; but Morton was the only person who ever treated him like an equal, like a whole human being. Limb was hoping to receive a final message from Morton. Finally his I-phone-chip burped. The message was short: a spark dying in the night. It cut Limb to the core. He was immobilized. Frozen in grief.

The sons-and-daughters were devoted to the Brain. All life and power flowed through them from the Brain. But, now, it was acting erratically: evicting passengers without space suits. As advisers and enablers they needed to calm the Brain down. The brilliant children of the Brain were befuddled and uncertain. It was always difficult for them to make a decision that didn’t involve inanimate objects like money. Unfortunately the family never understood the reality of other people which (of course) led to the initial debacle back on Earth. Now the children had to save the survivors on the ship. They downloaded suggestions from the computer archives. They contacted Alex Jones and Sessions-Page. They discovered a great recipe for Hemlock Tea from Stephen Bannon. They were advised to sooth the Master by massaging the Brain. No one wanted to get into the warm, viscous fluids in the life-sustaining pool. It was too uncomfortable and slimy.

The children bickered. The Brain was very uncomfortable sitting in a slimy pool without a proper body and that was the real reason for his obstreperous behavior. The Navigator was conferring with the sons-and-daughters. No one was piloting the ship.

The barrier between life and death is paper thin. No one even noticed when the Father-ship crossed over, tumbling helter-skelter down into the land of the dying sun.