Mortimer Field was an artist with peculiar talents. I befriended Mortimer while working at The Institute for the Mentally Deranged (this was during the 1970’s when “deranged” was considered an accurate diagnosis). Mortimer was a patient. Two years after I met him, he disappeared. Soon after, I began to collect the stories he told me (I kept meticulous notes) along with his artwork and journals. His work has often been described as disturbing. I offer this collection of notes and stories to my esteemed reader for you to judge for yourself.
This story is about the day Mortimer Field saw a woman crossing the street. Mortimer said there was something annoying about the woman as if she possessed some insidious secret. She was heavy set. Her form seemed to be pulled forward by the ponderous swell of her stomach. Her face was like puckered dough. Her lips were like the flame of an acetylene torch and she wore large, gold frame sunglasses. She appeared to be in her late fifties. Her hair was like burnt roots sticking out from the edge of a pink bathing cap. She wore a fur coat that looked like automobile upholstery. A red-and-black muumuu radiated beneath the fur coat like an electric bulb.
She plowed across the street in a trance. Her brown hose slipped down over her heavy thighs. Mortimer became more and more agitated as he related his story. His voice squeaked with perturbation, “she looked at me,” he said, “suddenly she looked without pausing and without losing her heavy stride.” Mortimer wanted to scream. The woman was too familiar. He could see her eyes swimming behind the dark lenses in her glasses. They looked like eggs broken on a plate.
As he related the story he began to sweat profusely. He said seeing the woman made his skin tighten and his head ache as if his bony skull was about to break through the thin layer of flesh. He recognized the woman. He knew her. She was in the painting he’d just completed before leaving his studio for the street. She was the woman he imagined — she was solely his creation!